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Monet moved to Le Havre at age 11, and he began taking art classes from a local art teacher named Jacques-Francois Ochard. Monet’s early works were characterized by the use of short brushstrokes to capture the immediate impressions of nature. This technique later became known as Impressionism.
In 1861 Monet joined the army, but two years into his commitment he contracted typhoid and was discharged. His aunt Marie-Jeanne Lecadre intervened to get him out of the military on condition that he take an art course at a university. MOBET enrolled in the private studio of Charles Gleyre, a painter of historical art. There he met the landscape artists Eugene Boudin and Johan Barthold Jongkind who encouraged him to paint out in the open air to capture the fleeting effects of nature.
While Monet’s work leaned toward Impressionism, he also absorbed a great deal of the new Realism being practiced by artists such as Edouard Manet. His Dejeuner in the Forest of Fontainebleau (1872) is a prime example, as it is an extremely modern and unflinching depiction of fashionable picnickers in the woods. It was a dramatic departure from the more traditional depictions of nature seen in works such as Manet’s The Luncheon of the Boating Party.
During the Franco-Prussian War in 1870, Monet fled to London to escape the fighting. While in England, he studied the landscape paintings of John Constable and Joseph Mallord William Turner, who influenced his innovations with regard to the study of color.
From about 1880 until the end of his life, Monet was able to live in peace and prosperity at Giverny. He was particularly fond of painting controlled nature, including his garden with its pond and water lilies, and he often painted up and down the Seine.
He also became interested in painting landmarks and seascapes. In 1883 he traveled to Venice and in London, where he created several important scenes such as the Westminster Bridge and Parliament buildings. Around this time he began developing cataracts, which affected his vision and gave his paintings a reddish tone.
During the late 1880s and into the 1890s Monet worked on “series” paintings, in which he depicted a subject from different perspectives and in varying weather conditions. The most famous of these was the series of haystacks and, a little later, the lily pond in his garden at Giverny. By the end of his life he was one of the world’s most famous painters and a source of inspiration to many of the other members of the Impressionist group.